The Cult of the Amateur
How blogs, MySpace, YouTube, and the rest of today's user-generated media are destroying our economy, our culture, and our values
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Zusammenfassungen
In a hard-hitting and provocative polemic, Silicon Valley insider and pundit Andrew Keen exposes the grave consequences of today’s new participatory Web 2.0 and reveals how it threatens our values, economy, and ultimately the very innovation and creativity that forms the fabric of American achievement.
Our most valued cultural institutions, Keen warns—our professional newspapers, magazines, music, and movies—are being overtaken by an avalanche of amateur, user-generated free content. Advertising revenue is being siphoned off by free classified ads on sites like Craigslist; television networks are under attack from free user-generated programming on YouTube and the like; file-sharing and digital piracy have devastated the multibillion-dollar music business and threaten to undermine our movie industry. Worse, Keen claims, our “cut-and-paste” online culture—in which intellectual property is freely swapped, downloaded, remashed, and aggregated—threatens over 200 years of copyright protection and intellectual property rights, robbing artists, authors, journalists, musicians, editors, and producers of the fruits of their creative labors.
In today’s self-broadcasting culture, where amateurism is celebrated and anyone with an opinion, however ill-informed, can publish a blog, post a video on YouTube, or change an entry on Wikipedia, the distinction between trained expert and uninformed amateur becomes dangerously blurred. When anonymous bloggers and videographers, unconstrained by professional standards or editorial filters, can alter the public debate and manipulate public opinion, truth becomes a commodity to be bought, sold, packaged, and reinvented.
The very anonymity that the Web 2.0 offers calls into question the reliability of the information we receive and creates an environment in which sexual predators and identity thieves can roam free. While no Luddite—Keen pioneered several Internet startups himself—he urges us to consider the consequences of blindly supporting a culture that endorses plagiarism and piracy and that fundamentally weakens traditional media and creative institutions.
Offering concrete solutions on how we can reign in the free-wheeling, narcissistic atmosphere that pervades the Web, THE CULT OF THE AMATEUR is a wake-up call to each and every one of us.
Von Klappentext im Buch The Cult of the Amateur (2008) Our most valued cultural institutions, Keen warns—our professional newspapers, magazines, music, and movies—are being overtaken by an avalanche of amateur, user-generated free content. Advertising revenue is being siphoned off by free classified ads on sites like Craigslist; television networks are under attack from free user-generated programming on YouTube and the like; file-sharing and digital piracy have devastated the multibillion-dollar music business and threaten to undermine our movie industry. Worse, Keen claims, our “cut-and-paste” online culture—in which intellectual property is freely swapped, downloaded, remashed, and aggregated—threatens over 200 years of copyright protection and intellectual property rights, robbing artists, authors, journalists, musicians, editors, and producers of the fruits of their creative labors.
In today’s self-broadcasting culture, where amateurism is celebrated and anyone with an opinion, however ill-informed, can publish a blog, post a video on YouTube, or change an entry on Wikipedia, the distinction between trained expert and uninformed amateur becomes dangerously blurred. When anonymous bloggers and videographers, unconstrained by professional standards or editorial filters, can alter the public debate and manipulate public opinion, truth becomes a commodity to be bought, sold, packaged, and reinvented.
The very anonymity that the Web 2.0 offers calls into question the reliability of the information we receive and creates an environment in which sexual predators and identity thieves can roam free. While no Luddite—Keen pioneered several Internet startups himself—he urges us to consider the consequences of blindly supporting a culture that endorses plagiarism and piracy and that fundamentally weakens traditional media and creative institutions.
Offering concrete solutions on how we can reign in the free-wheeling, narcissistic atmosphere that pervades the Web, THE CULT OF THE AMATEUR is a wake-up call to each and every one of us.
Dieses Buch erwähnt ...
Begriffe KB IB clear | ContentContent , CopyrightCopyright , Innovationinnovation , Internetinternet , iPhone , Kreativitätcreativity , Plagiarismusplagiarism , Wikipedia |
Zitationsgraph
Zeitleiste
17 Erwähnungen
- Theories of the Information Society - 4th Edition (Frank Webster) (1995)
- Persönliche Weblogs in Organisationen - Spielzeug oder Werkzeug für ein zeitgemäßes Wissensmanagement? (Karsten Ehms) (2007)
- REMIX - Making Art and Commerce Thrive in the Hybrid Economy (Lawrence Lessig) (2008)
- Flickernde Jugend - rauschende Bilder - Netzkulturen im Web 2.0 (Birgit Richard, Jan Grünwald, Marcus Recht, Nina Metz) (2010)
- Die Internet-Falle - Google+, Facebook, Staatstrojaner - Was Sie für Ihren sicheren Umgang mit dem Netz wissen müssen (Thomas R. Köhler) (2010)
- 4. Hinter den Kulissen des Social Web
- Education and Technology - Key Issues and Debates (Neil Selwyn) (2011)
- Das Halbwegs Soziale - Eine Kritik der Vernetzungskultur (Geert Lovink) (2012)
- Ein letzter Blick auf das Web 2.0 - Einleitung
- Spreadable Media - Creating Value and Meaning in a Networked Culture (Henry Jenkins, Sam Ford, Joshua Green) (2013)
- Internet und Gesellschaft - Wie das Netz unsere Kommuniikation verändert (Christian Papsdorf) (2013)
- The Culture of Connectivity (José van Dijck) (2013)
- Distrusting Educational Technology - Critical Questions for Changing Times (Neil Selwyn) (2013)
- Das digitale Debakel - Warum das Internet gescheitert ist - und wie wir es retten können (Andrew Keen) (2015)
- Die Frage - Vorwort
- 3. Die zerstörte Mitte
- 6. Die Ein-Prozent-Ökonomie
- The Future of the Professions - How Technology Will Transform the Work of Human Experts (Richard Susskind, Daniel Susskind) (2016)
- Cyberpsychologie - Leben im Netz: Wie das Internet uns verändert (Catarina Katzer) (2016)
- The Attention Merchants - The Epic Scramble to Get Inside Our Heads (Tim Wu) (2016)
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Bibliographisches
Titel | Format | Bez. | Aufl. | Jahr | ISBN | ||||||
The Cult of the Amateur | E | Gebunden | - | 0 | 0385520808 | ||||||
The Cult of the Amateur | E | Paperback | - | 0 | 0385520816 |
Beat und dieses Buch
Beat hat dieses Buch während seiner Zeit am Institut für Medien und Schule (IMS) ins Biblionetz aufgenommen. Beat besitzt weder ein physisches noch ein digitales Exemplar. Aufgrund der wenigen Einträge im Biblionetz scheint er es nicht wirklich gelesen zu haben.